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Kingfisher feathers’ colors created from nanostructures, not pigments

Findings will be presented during a Feb. 14 panel at the AAAS annual meeting

  •      For more than a millennium, artists have used kingfishers’ vibrant blue feathers in art, fashion and decorations
  •      Scientists investigated cultural objects decorated with feathers to reveal the nanoscale architecture that gives rise to their colors
  •      Findings could advance understanding of craft, historical context, materiality and degradation 

 EVANSTON, Ill. — With their blazing turquoise, cobalt and sapphire feathers, kingfishers have inspired art, design and poetry for more than a millennium. 

 

Using synchrotron X-ray methodologies and nanotechnology-based analytical methods, Northwestern University scientists uncovered how nanoscale, spongy architectures — rather than pigments — within the feathers give rise to these birds’ vibrant colors. 

 

Northwestern’s Maria Kokkori will discuss this work during a panel discussion at the American Association for the Advancement of Science (AAAS) annual meeting in Phoenix. “Nature’s Nanotech: Structural Color in Chinese Featherworks” will take place at 4 p.m. MST on Saturday, Feb. 14 as part of a panel titled “Lost Colors Found: How Science is Retelling History.” 

 

Members of the press can register to attend here

 

“Long admired in Chinese poetry and art, kingfisher feathers have amazing optical properties,” Kokkori said. “Our discoveries not only enhance our understanding of historical materials but also reshape how we think about artistic and scientific innovation, and the future of sustainable materials.”

 

Kokkori is an associate research professor of electrical and computer science at Northwestern’s McCormick School of Engineering and senior scientist at the Center for Scientific Studies in the Arts, a collaboration between Northwestern and the Art Institute of Chicago. 

 

As part of the talk, Kokkori will explore the remarkable optical properties of kingfisher feathers and their long history in art. In Qing China, artisans incorporated iridescent kingfisher feathers into decorative works using the tian-tsui technique. By cutting and carefully orienting feather fragments to preserve and enhance their interaction with light, artists intensified the feathers’ dazzling blue hues — exploiting complex optical effects centuries before science could explain them.

 

Kokkori’s talk also will explore how advanced tools revealed the feathers’ nanostructures in unprecedented detail and share how this structure could be recreated in bioinspired materials.

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Research images

China​ Cap, Qing dynasty (1644–1912), 18th–19th century, Gold wire, kingfisher feathers, amber, coral, jadeite, ivory, glass and silk, 14 × 16.6 × 21 cm (5 1/2 × 6 1/2 × 8 1/4 in.) Promised gift of Barbara and David Kipper​. Photo courtesy of The Art Institute of Chicago.
China​ Cap, Qing dynasty (1644–1912), 18th–19th century, Gold wire, kingfisher feathers, amber, coral, jadeite, ivory, glass and silk, 14 × 16.6 × 21 cm (5 1/2 × 6 1/2 × 8 1/4 in.) Promised gift of Barbara and David Kipper​. Photo courtesy of The Art Institute of Chicago.
A scanning electron microscopy image of Kingfisher feathers reveals the semi-ordered nanostructure. Credit: Maria Kokkori/Northwestern University
A scanning electron microscopy image of Kingfisher feathers reveals the semi-ordered nanostructure. Credit: Maria Kokkori/Northwestern University
By increasing the magnification of the scanning electron microscopy image, researchers discovered a nanoscale, spongey architecture. Credit: Maria Kokkori/Northwestern University
By increasing the magnification of the scanning electron microscopy image, researchers discovered a nanoscale, spongey architecture. Credit: Maria Kokkori/Northwestern University

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