EVANSTON, Ill. --- Past and present, history and myth, reality and spectacle are conflated and distorted in Federico Solmi’s “The Great Farce” (2017), a monumental media work in the collection of Northwestern University’s Block Museum of Art, on view now through Dec. 1.
The exhibition is the first time The Block Museum has mounted the full presentation of Solmi’s installation “The Great Farce.” The immersive eight-minute installation consists of nine video projections spanning the entirety of The Block Museum's largest gallery.
The handmade and the high-tech are deftly blended in a large-scale and multiscreen presentation, that will project videos 10 feet tall and 42 feet wide on three walls. Solmi’s drawings and paintings serve as the foundation of a visual universe enlivened by a variety of technologies, including 3D animation, motion capture and video game software, to create a surreal take on American history.
“‘The Great Farce’ is one of Solmi’s most ambitious works in terms of technical complexity, physical scale and scope of content,” said exhibition curator Janet Dees, the Steven and Lisa Munster Tananbaum, Curator of Modern and Contemporary Art. “Throughout his practice, Solmi uses satire, farce and grotesque representations to question the complex relationships between nationalism, colonialism and consumerism. We hope ‘The Great Farce’ will open space for campus-wide discussion around many topics, including the use of satire as a form of social critique, and how popular culture can be a vehicle for reinforcing stereotypical and mythologized narratives of American history.”
An in-person keynote conversation with Solmi is planned for 6 p.m. on Wednesday, Oct. 23 at The Block Museum, 40 Arts Circle Drive in Evanston.
A Frenzied American Story
Featuring a cast of time-traveling world leaders with a feverish madness for power, Solmi’s animation turns a frenzied, fun-house mirror to grandstanding historical figures.
Solmi’s research for “The Great Farce” began with the question, “What is history?” The work specifically questions underlying premises that have shaped narratives about the founding of the U.S., ones that Solmi inherited growing up in Italy and which he encountered again when he emigrated to this country.
In Solmi’s surreal narrative, reality is an eternal amusement theme park.
“It has become a place where the world's leaders can rewrite, fabricate or travel to any event of the past, present or future,” Solmi writes in the project description. “They entertain, distract and misdirect the world's population through spectacle. Epic battles, great adventures and lavish ceremonies are staged as re-enactments of historic events...the resulting chaos dissolves any distinction between truth and myth, immortalizing the leaders, and elevating them as Gods to a faux Mount Olympus. From its heavenly terrace, they look out to admire their counterfeit universe.”
Solmi’s work often utilizes bright, brash colors and a satirical aesthetic to portray a dystopian vision of our present-day society. His exhibitions regularly feature a variety of media, including virtual reality experiences, video installations, painting, drawing and sculpture. Solmi uses his art as a vehicle to stimulate a robust conversation with his audience, highlighting the contradictions and fallibilities that characterize our time.
Technology and Texture
“The Great Farce” is the result of Solmi’s elaborate artistic process that combines traditional drawing and painting with gaming and digital technology. 3-D models of characters and environments are built and texture-mapped with scans of hand-painted imagery. A virtual world is created within a game engine, where each scene is staged as a movie set. The characters act as puppets, animated through motion capture and computer scripts rather than strings. Scenes are recorded by an in-game camera from a first-person view, giving the perspective of a director or voyeur.
“Digital technology has no empathy,” the artist told the magazine Brooklyn Rail in 2024. “You have to add that with hand drawing.”
[Watch: The Making of The Great Farce]
“Federico Solmi’s ‘The Great Farce’ is one of a group of exhibitions on view this fall largely drawn from The Block’s collection, encouraging us to think about the history of the United States and its future,” said Lisa Corrin, the Block’s Ellen Philip Katz Executive Director.
“Art has the power to catalyze rich dialogue and productive debate, to challenge assumptions, and to expand our understanding of the world and our place within it,” Corrin said. “‘The Great Farce’ provokes consideration of the narratives of national history and national identity that we inherit and perpetuate. The aesthetic and content choices made by an artist often result in powerful and disruptive experiences. We invite you to join us in considering your experience of Federico Solmi’s ‘The Great Farce’ and the critical questions it raises.”
“The Great Farce” was originally commissioned for the 2017 B3 Biennial of the Moving Image in Frankfurt, Germany, and presented on the façade of the city’s Schauspiel Opera Theater. The work was later adapted into a gallery installation for Open Spaces Kansas City (2018). “American Circus,” a work adapted from “The Great Farce,” was displayed across multiple electronic billboards in New York’s Times Square in July 2019 as a project of Times Square Arts.
The Block Museum of Art received the nine-channel, limited-edition work as a gift from the artist’s studio in recognition of the museum’s 40th anniversary in 2020 and its related initiative, “Thinking about History.” The work can be presented as an immersive gallery installation with nine projections or a sculptural “portable theater” with embedded video that represents the content, spirit and aesthetic of the larger installation.
About the Artist
Federico Solmi was born in Bologna, Italy, in 1973. Since 1999, he has lived and worked in New York. Most recently, his work was the subject of a major exhibition, “Federico Solmi: Ship of Fools,” at the Venice Biennale in 2024.
Solmi was awarded the John Simon Guggenheim Memorial Fellowship in the category of Video & Audio by the Guggenheim Foundation of New York in 2019. His work was included in The Phillips Collection’s 100-year anniversary exhibition, “Seeing Differently,” the Smithsonian National Portrait Gallery’s traveling exhibition, “The Outwin 2019: American Portraiture Today,” as well as the inaugural exhibition of the Ocean Flower Museum Island in Hainan Province, Danzhou, China.
Past solo museum surveys include “Joie de Vivre” (September 2022-February 2023) at the Morris Museum in Morristown, New Jersey, “The Grand Masquerade” (2019) at the Tarble Art Center in Charleston, Illinois, and “American Circus” (2016) at the Haifa Museum of Art in Israel.
His work has been featured in several international biennials, including the Beijing Media Art Biennale (2016), the First Shenzhen Animation Biennial in China (2013), the 54th Venice Biennial (2011) and the SITE Santa Fe Biennial in New Mexico (2010.)
Federico Solmi was a visiting professor at Yale University School of Art, and Yale School of Drama from 2016 to 2019, and was appointed guest critic at the Yale School of Art for 2022.
About The Block Museum of Art
Free and open to all, The Block is Northwestern University’s art museum. The Block Museum is an engine that drives questioning, experimentation and collaboration across fields of study, with visual arts at the center. We do this by activating art’s power as a form of insight, research and knowledge creation that makes human experience visible and material. Fueled by diverse perspectives and ways of knowing, The Block creates shared encounters with art to deepen understandings of the world and our place within it. For more information, please visit The Block Museum website.
