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‘The future of work is in disciplines working together’

MFA graduate bree gant on how several mediums shape her artistic practice
bree gant
“One of my professors Lane (Relyea) says, writing is material. It’s become another core tool I use in my practice. It gives me language I can return to, including the way I talk about my practice,” bree gant said. Photo by Stephen J. Lewis

bree gant is in her studio in Locy Hall writing. Her words flow horizontally across the page, wrapping left to right down the page. Like movements in a dance sequence, the word order changes slightly with each repetition, creating subtle shifts that impact the emphasis and meaning of the phrases.

Writing is material

“One of my professors Lane (Relyea) says, writing is material. It’s become another core tool I use in my practice. It gives me language I can return to, including the way I talk about my practice,” gant said.

gant’s practice intersects lens-based art and performance, often using dance, film and movement studies, and her work is among those featured in the MFA thesis exhibition “A New State of Matter” on view at The Block Museum May 9 to June 22.  A member of Northwestern’s class of 2025, gant plans to pursue teaching opportunities in the Midwest, maintain her studio practice, and promote conversations between Detroit and Chicago’s arts ecosystems. 

Using several mediums

gant’s MFA thesis project, “Negotiation,” is a multichannel video installation incorporating mediums and ideas she has explored during her time at Northwestern. The six-minute film shows entwined bodies pressed into the snow-covered grounds outside the Brutalist architecture of Deering Library. The bodies adjust subtly in an environment that looks cold and unforgiving. A soundtrack of tinkling chimes immerses viewers in the scene. The sounds are made by chimes gant created from oyster and mussel shells collected from meals with friends and family and denim fabric from jeans that belonged to a great aunt.

gant studied film as an undergraduate in Washington, D.C., before returning to her hometown of Detroit to practice art for several years before beginning the art theory and practice MFA program at Northwestern.

The evolution of an artistic mission

“I came into my voice in Detroit. Riding on the bus in the Motor City is an integral foundation to my practice. It’s land reverence, it’s political education and it’s also social performance,” gant said. “Depending on the bus and public transit to move through the world really puts you in a particular place of witnessing and waiting.”

gant says her current interest is in exploring the threshold between interior and exterior worlds, including how self-understanding influences the way we narrate and relate to the world around us. Performance allows her to engage with and move through the world, while the lens medium offers a way of witnessing and theorizing with her performance.

Stories about ourselves

“A lot of our stories about the world are actually stories about ourselves. I’m interested in how those things meet in various mediums and in thinking about systems and power.”

There is also a spiritual aspect to her work in the way it allows her to stand alongside ancestors and collaborators across space and time, she said.

Applying to research universities for an MFA was a priority for gant.

“I believe that the future of work is in disciplines working together and at intersections with other experts, and that’s obviously a priority for Northwestern,” gant said.

Working with others

One of the first faculty she invited into her studio was Thomas DeFrantz in performance studies. “It’s been great to be in conversation with him and other people in performance studies who are thinking about the ways performance and art are forms of theorizing and knowledge production and study.”

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You can’t really learn if you don’t bring your whole self in the room.”

She credits Professor Michael Rakowitz with imparting a philosophy of teaching as hospitality. “You can’t really learn if you don’t bring your whole self in the room, and you also can’t really learn if you’re just trying to pick up what other people are giving you as opposed to having a conversation.”

“It’s special to have a department of all working artists and to be able to not just have class with the professor but then go to their opening on the weekend or go to see a show with them and to see that they are actively practicing in this arts ecosystem in a way that incorporates education and also their own creative voice,” gant said.

gant’s Northwestern cohort has also been invaluable to her artistic development. “As filmmaker Issa Rae says, ‘you network across, you’re not trying to network up.’ And I feel so excited to be redefining what art is and what critical studies are with the other artists in my cohort. It has been a gift to learn with everybody in this program. I’ve learned at least as much from my cohort as I have from professors and courses.”

“Being at Northwestern opened up my mind to theory and practice. The language I have been afforded is very important — the art practice got me there first, but theory has allowed different access. Now I’m able to say I’m an artist with my full chest.”