‘Woven Being’ offers Indigenous perspectives on the art of Chicagoland

• Four collaborating artists shaped the exhibition, selecting the artists and works on view
• Exhibition includes more than 80 artworks by 33 artists and multiple newly commissioned large-scale works
• Framed as a gift to Chicago, ‘Woven Being’ is one version of the many stories that can be told about the city’s Indigenous art
• "Woven Being" is part of the Terra Foundation's citywide Art Design Chicago, highlighting the city’s artistic heritage and creative communities
• An opening celebration will be held on Saturday, Feb. 1 with keynote event at 2 p.m.

• Download additional press materials:
  Exhibition Highlights Fact Sheet
  Artist Bios and Quotes Fact Sheet

EVANSTON, Ill., --- Zhegagoynak, the place now known as Chicagoland, has long been a vital center for Indigenous art. The Block will celebrate the region’s Indigenous creativity with a major exhibition, “Woven Being: Art for Zhegagoynak/Chicagoland” (Jan. 25-July 13, 2025).

“Woven Being” is a collaborative effort by four artists with connections to Zhegagoynak: Andrea Carlson (Grand Portage Ojibwe/European descent); Kelly Church (Match-E-Be-Nash-She-Wish Tribe of Pottawatomi/Ottawa); Nora Moore Lloyd (Lac Courte Oreilles Band of Lake Superior Ojibwe); and Jason Wesaw (Pokagon Band of Potawatomi). It explores intersecting influences that continue to shape Indigenous creative practices in the region and beyond.

Chicagoland is the traditional homeland of the people of the Council of Three Fires — the Ojibwe, Potawatomi and Odawa — as well as the Menominee, Miami, Ho-Chunk, Sac, Fox, Kickapoo and Illinois nations. It has been a longstanding cultural and economic hub for Indigenous peoples and continues to be today. People from many Indigenous nations call the region home, and the city of Chicago has the third-largest urban Indigenous population in the U.S.

Despite long and enduring ties to the area, the richness of Indigenous experiences and contributions are often excluded from Chicago’s art histories. “Woven Being” counters this by focusing on the ideas, choices and voices of Indigenous artists.

“The Block was interested in exploring the question: ‘How does one’s understanding of Chicago change when seen through Indigenous perspectives?’” said Jordan Poorman Cocker (Kiowa), Terra Foundation guest co-curator of the exhibition and curator of Indigenous art at the Crystal Bridges Museum of American Art. “This exhibition helps shift views about the place Chicagoans call home by revealing Indigenous stories that have been erased or omitted from mainstream narratives.”

“Just as a black ash basket is given form through the interweaving of many splints, ‘Woven Being’ was developed through an in-depth collaboration with and between these artists and The Block’s project team,” Cocker said.

This artist-centered approach has resulted in a distinctive exhibition where the artists have shaped a context for their work amid works by other artists of their choosing.

“The assignment for us, the organizing artists, was to choose art and artists who’ve inspired our own works. The resulting exhibition locates our chosen artists and artworks as a network of influence that happens to culminate in and around Chicago,” Andrea Carlson said. “‘Woven Being’ has tangents, unexpected artists who aren't even Native, and diverse materiality and forms because artists cast a wide net when it comes to where we draw inspiration.”

Together, the artworks highlight the shared aesthetics, materials, values, communities and kinship of the artists. The themes of land and waterways, kinship with plants and animals and Indigenous concepts of time likewise connect the exhibition’s artworks and stories.

“These perspectives are central to understanding Chicago’s specific cultural landscape. While our focus is on Indigenous artists here, we are also recognizing how they are interconnected with art and artists across the entirety of North America,” said Kathleen Bickford Berzock, exhibition co-curator and Block associate director of curatorial affairs. “‘Woven Being’ is just one of many stories that could be told about Indigenous art in the Chicagoland region. We want people to walk away recognizing that there’s a lot more to experience and many ways to do that.”

“The artists and exhibition team have been thoughtful about framing ‘Woven Being’ as a gift: art for Zhegagoynak,” said Janet Dees, co-curator and former Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art at The Block. “The selected art is a gift to the land and to our audiences, reflecting the concept of reciprocity that is central to many Indigenous communities.”

Collaborations and constellations

More than five years in the planning, “Woven Being” is the result of an ongoing dialogue among Carlson, Church, Lloyd, Wesaw, exhibition curators and The Block Museum staff.

The exhibition content builds upon “constellations” created by the collaborating artists, consisting of their own artwork and historical and contemporary artworks with which they find affinity. Through their collective process, Carlson, Church, Lloyd and Wesaw sought to highlight overlapping stories or themes by placing their work alongside that of 29 primarily Indigenous artists. 

In addition to the collaborating artists, exhibited artists include Josef Albers, Rick Bartow, Frank Big Bear, Roy Boney, Avis Charley, Woodrow Wilson Crumbo, Nancy Fisher Cyrette,  Jim Denomie, Jeffrey Gibson, Teri Greeves, Denise Lajimodiere, Mark LaRoque, Courtney M. Leonard, Agnes Martin, Wanesia Misquadace, George Morrison, Barnett Newman, Daphne Odjig, Virgil Ortiz, Chris Pappan, Cherish Parrish, John Pigeon, Jason Quigno, Monica Rickert-Bolter, Sharon Skolnick, Skye Tafoya, Lisa Telford, Joe Yazzie and Debra Yepa-Pappan.

Woven Being: Exhibition Publication

The Block Museum is publishing an accompanying book that will be distributed by the University of Washington Press. The 160-page, multi-authored publication centers Indigenous voices and explores the exhibition’s expansive themes and questions. Publishing in Spring 2025, the book will document the installation and represent the constellations of artwork on view in the galleries. (Preorder now).

Opening Celebration – Saturday, Feb. 1

A kickoff event for “Woven Being” will be held on Saturday, Feb. 1 from noon to 6 p.m.  The day includes open galleries, hands-on activities, a Community Room welcome, and keynote panel conversation with the collaborating artists and co-curator Jordan Poorman Cocker.

The keynote event will take place at 2 p.m. in the Bienen School of Music’s Galvin Recital Hall, 70 Arts Circle Drive, overlooking Lake Michigan. Artists Andrea Carlson, Kelly Church, Nora Moore Lloyd and Jason Wesaw will address the questions the exhibition raises about the histories, present experiences and futures of Zhegagoynak.

A free public reception will follow the opening program at 3:30 p.m. Visit The Block Museum website for more information and to RSVP for the keynote panel.

The “Woven Being” exhibition includes a Community Room designed for the Indigenous community but open to all. This space is dedicated to conversation, reflection and learning and will include hosted drop-in hours with activities related to the themes of the exhibition. 

For information about upcoming talks and tours planned, visit The Block website.

In the Alsdorf Gallery: Jordan Ann Craig

The Block will present “It takes a long time to stay here: Paintings by Jordan Ann Craig” (Jan. 25- April 13, 2025), the first solo Chicago exhibition by San Jose, California-based artist Craig . Known for large-scale paintings, prints and painting-inspired installations, her work develops out of an engagement with abstraction rooted in Northern Cheyenne and other Indigenous aesthetic traditions and a dynamic and innovative exploration of color, line and form. 

Exhibition Credits

“Woven Being” is part of the Terra Foundation's citywide Art Design Chicago, highlighting the city’s artistic heritage and creative communities. Lead support for “Woven Being” is generously provided by the Terra Foundation for American Art. Major support is provided by the Andy Warhol Foundation for the Visual Arts. The project is supported in part by the National Endowment for the Arts, The Joyce Foundation and by a grant from the Illinois Arts Council. Additional generous support is provided by the Sandra L. Riggs Publication Fund and the Alumnae of Northwestern University.

About The Block Museum of Art

Free and open to all, The Block is Northwestern University’s art museum. The Block Museum of Art at Northwestern University is an engine that drives questioning, experimentation and collaboration across fields of study, with visual arts at the center. The Block does this by activating art’s power as a form of insight, research and knowledge creation that makes human experience visible and material. Fueled by diverse perspectives and ways of knowing, The Block creates shared encounters with art and with one another to deepen understandings of the world and our place within it.